National Geographic ; photography: field guide : digital black & white, with film techniques included / Richard Olsenius ; National Geographic Society
Tipo de material:
- texto
- no mediado
- volumen
- 0792241967
- 771 O524n 2005
Tipo de ítem | Biblioteca actual | Colección | Signatura | Copia número | Estado | Fecha de vencimiento | Código de barras | |
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Juan Montalvo Sala general | Col. General | 771 O524n 2005 (Navegar estantería(Abre debajo)) | Ej.1 | Disponible | 00003507 | ||
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Juan Montalvo Sala general | Col. General | 771 O524n 2005 (Navegar estantería(Abre debajo)) | Ej. 2 | Disponible | 00016678 |
- How it all began - Seeing in black and white - Documenting a region / Marion E. Warren - Choosing the right camera - Painting with light - A call to service / Don Doll - Getting to the digital image - Documenting people and place / Brian Peterson - The digital editor - Printing your work - Capturing form and emotion / Nick Kelsh - On black and white - Useful information
Veteran National Geographic photographer, photo editor, and filmmaker Richard Olsenius provides a compelling case for capturing the essence of people and landscapes through black and white photography, and shares his secrets to mastering the craft and the latest technology. This guidebook is as much about "how to visualize a story in black and white" as it is about the technical aspects of photography. Finding black and white in a world of kaleidoscopic colour, seeing the essential form, structure, or meaning in a subject, requires "a special way of seeing." The guide covers the advantages of different camera formats, lenses, and light filters for different types of photography. The goal is to aid new or developing photographers in choosing the best camera and equipment for achieving their objectives. A section on light and film provides tools and advice on how to use light and various films to provide a palette of tone and brightness in the final photographic image. A master printer in both colour and black and white, Olsenius provides numerous suggestions on both digital and darkroom techniques for printing the final image
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